Released on: 2003
Rating: 3.30
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Watch Fan-Made ‘X-Men: First Class’ Opening Credits
The '60s setting of X-Men: First Class has offered some great opportunities for visual design. Some of the film's sets and costumes really seem to go to town with the visual signifiers of the time period, and there have been other nods to the early '60s in vintage-style magazine covers and fan-made posters. Now check out this fan-made opening credits sequence, which uses well-known design ideas from Saul Bass and various James Bond credit sequence designers to condense the basic ideas of the characters and the time period in which the story takes place.Here's some info from the Vimeo [1] page:Set during the midst of the Cuba Missile Crisis, X-Men: First Class tells the story of the first team coming together, before they would become the heroes and villains we know from the original X-Men Trilogy.This sequence was designed to give a very brief primer on the time period,»
- Russ Fischer
See full article at Slash Film »
Inhale 6 Hilarious Clips from 'Your Highness'
Comedic takes on Medieval times have worked out pretty well for Hollywood, with enduring classics like "The Princess Bride" and "Robin Hood: Men in Tights" still relevant today.
It's been a while since a great one, though, so thank goodness that the latest stoner-take on armor-clad times, "Your Highness," is finally here.
The movie stars funnymen Danny McBride and James Franco as brothers Thadeous and Fabious, respectively, who embark on an epic quest to save Fabious' maiden Belladonna (played by hipster-queen Zooey Deschanel) with some help from the cutthroat archer Isabel (a non-psychotic Natalie Portman).
In other words, imagine "Pineapple Express" set in the 14th century. Get a taste of "Highness" with these six funny clips from the film.
1. Fabious gushes about his profound, frozen-tear love for Belladonna to his traveling companions. Dude, get a hold of yourself.
2. Isabel expresses her desires to wear the skins of those who avenged»
- Justin Sedgwick
See full article at NextMovie »
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